Tag Archives: tUnE-yArDs

Elephant & Castle teams up with tUnE-yArDs for “En Memoria”

The namesake. (Photo courtesy of http://thirdculturerecords.com/)

As a nomad, David Vincent Reep is accustomed to trying new things. It comes with the lifestyle. With travel tickets that blaze a trail across the United States and Europe, Reep is a wanderer, whose fleeting whims and curiosities can change into passions just as easily as he changes his home. Take music, for example. Inspired by the likes of DJ Shadow and plugged into the local rave scene while in South Bank, London, Reep picked up his first synth, giving birth to a musical science project.

Elephant & Castle, named for the famous London intersection, is the culmination of a few years of experimentation, which has wandered with Reet to his new Bay Area digs. Started on a whim, E&C has been refined at sound engineering school. It’s been polished at the legendary Studio 880 in East Oakland and then in Los Angeles at Low End Theory, the finishing school of Flying Lotus and Nosaj Thing. And now it’s ready with Reet’s debut LP, Transitions.

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Fun Fun Fun Fest: Day Two Recap

(Photo courtesy of austin360.com)

The crowds were younger, more diverse and bigger on the second (and dustier) day of Fun Fun Fun Fest, while the music was the same satisfying potpourri of genres and styles created by some talented performers.

The day started slow however, perhaps partly due to the early football game over at the University of Texas, but by the late afternoon bands looked out upon an ocean of faces. Food lines got long around dinnertime as the vendors enjoyed what must be huge profits. A small personal pizza for seven dollars? Expected, but for us poor music lovers, festival food always feels like extortion.

A brief visit to the Yellow Stage revealed a very small venue for the comedy line up. Most acts on Saturday–aside from Donald Glover, who also performed as his hip-hop alter ego Childish Gambino–probably are not drawing the expected crowds. We expect Henry Rollins on Sunday is going to need a lot of room.

To further illustrate how intimate this festival feels, the mystical line between crowd and the workings backstage that  normally keeps the musicians on a different plane of existence is much less apparent at FFFF. Band members (and Ryan Gosling) can sometimes be seen walking through the crowd before and after their sets. You endure the boring logistics of sound checks along with the band. And performers continue to mention how they look forward to watching other bands during the festival. It is as if the musicians are just audience members with the most privileged kind of wristband.

The weather was better and worse on Saturday. Thankfully, it got cloudy later in the day, cutting off the hard edge of the sun on a day that was warmer overall and kept away the shivers at nightfall. But that Texas drought combined with some blustery winds made it a dust bowl worse than Friday. Bandanas, scarves, sunglasses, hoods–anything to keep the dust and dirt out of your mouth and eyes was necessary. The end of the day surely featured thousands of showers turning on in Austin

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Outside Lands 2011: Sunday Recap

"You made me," shouted Charles Bradley, whose career blossomed suddenly at age 62 after decades of hard life. Bradley was Sunday's first act. (Kris Cheng/treeswingers)

The accordion was the instrument du jour of Sunday, when one act after another rocked the squeezebox. The folk stylings of Beirut and The Decemberists picked up with the distinct and piercing wheeze of the accordion. And on the female front, Arcade Fire’s Régine Chassagne turned the comical instrument into an arena weapon while Julieta Venegas proved that it had in fact migrated south of the border. Watch out, ukulele: your days are numbered.

The weekend closed out with, as the pattern has been, competing headliners on opposite ends of the (longggg) walk from Land’s End to Twin Peaks (fun fact: Sunday night’s headliners are both from the great white north. Canadian invasion, much?). Deadmau5 shook the trees with drop after drop, and Arcade Fire, well… they haven’t been deemed festy-headliner champions for no reason.

A few recaps of Sunday’s highlights after the jump…

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Outside Lands 2011 Preview: Sunday

Luke Steele was last year's OL drama queen. Can 2011 measure up? (Brian Valdizno/treeswingers)

On the festival-eve of Outside Lands, it’s nearly impossible to imagine the fatigue that settles in on Day Three. Now, the glow of musical anticipation buoys you through the work day, and your bushy-tailed self has dutifully planned your public transportation. By Sunday, though, your arches will be howling in protest and you’ll be contemplating grand theft auto on the golf carts used by the production staff. But! Take courage, music warrior. We’ve done our homework for Day Three so all you’ll have to do is hobble to the Polo Field and pig out on Bay Area gourmet.

And for those not inside the park but within radio-wave distance, check out KZSU‘s live broadcasting of interviews all weekend long — including !!!, Vetiver, The Limousines, Starfucker and more. See the full schedule and listen live at 90.1 FM around the bay or online.

Here are Treeswingers’ top five picks for Sunday. We’ll leave you to settle the closing act of Arcade Fire vs. Deadmau5 on your own.

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