Author Archives: Ryan

On Tour With School Of Seven Bells

Photo courtesy of Justin Hollar.

An old soul in modern times, Justin Hollar always loved music. He embraced The Beatles, The Rolling Stones and Bob Dylan, icons of a time period when the photographer was the artist and the camera his palette. Looking back, we remember of shots of John and Yoko in an Amsterdam Hilton or black and whites of Dylan breaking out the electric guitar at the Newport Folk Festival. You can almost hear the boos emanating from the pictures. Through his viewfinder, a photographer was present yet hidden at the same time, less a voyeur and more a shutterbug historian in an era of burning draft cards, gunshots and experimentation.

So when Hollar found himself holding a camera instead of a guitar, he thought he’d try and rekindle the feel and emotions of a bygone time. The man behind the candid clicks, he spent two months on the road with Benjamin Curtis and Alejandra Deheza of School of Seven Bells. Logging 9,000 miles on a bus and 1,400 hours with SVIIB, Hollar travelled from Bismarck to Santa Barbara with the pair and captured their every moment. As the duo just released their third studio album Ghostory last month, the photographer has finished his own work,  the masterfully compiled and edited photobookSVIIB. With photographs of Curtis playing basketball or Deheza carrying her laundry, the book doesn’t just have your average stage shots. Rather, it contains truthful moments from the artists’ everyday happenings and recalls a period when photos made us fall in love with musicians just as much as their music.

Here are some of our favorite shots from Mr. Hollar:

Continue reading

Karen’s Many O Faces

Wandering around backstage, Karen Orzolek seemed like anyone else at the Creators Project production in San Francisco. Face painting aside, you could hardly tell that she was the beer-fueled, battle-tested front woman of the Yeah Yeah Yeahs as she hurried by before scurrying behind the curtain that served as a dressing room door. When she emerged an hour later, though, she was Karen O, Orzolek’s destructive banshee of an alter ego. Letting bandmates Nick Zinner and Brian Chase take to the stage before her to kick off “Gold Lion,” she announced her arrival–“CREATORS SAN FRANCISCO” –and sent everyone with two X chromosomes into a screaming frenzy. Their Y-bearing counterparts had their confidence castrated at first sight.

Come at me, bro. (Brian Valdizno/treeswingers)

Pointing to the crowd, Karen O has the distinct ability to single each and everyone out at the same time. Which is probably why some drunk frat bro in green decided to charge the stage and give her a hug near the end of her set. Nice job, Jolly Green Giant.

Continue reading

Soulwax Remixes Arcade Fire’s “Sprawl II”

Arcade Fire's Régine Chassagne at Berkeley's Greek Theatre in 2010. (Brian Valdizno/treeswingers)

After cutting up and producing one of my favorite remixes ever–a version of the Klaxon’s “Gravity’s Rainbow”–Soulwax seems to have to outdone themselves again. This time, they’ve taken a “old” song that’s been mashed-up and slashed-up, Arcade Fire’s “Sprawl II (Mountains Beyond Mountains),” and remade one of the best songs of 2010 into something relevant again. Debuted on Zane Lowe’s BBC Radio 1 show, The Suburbs’ rework is addictive listening, building off that calling-card cowbell percussion and disco influences, before grooving for the better part of five minutes. The brainchild of Belgium’s David and Stephen Dewaele, Soulwax proves time and time again that DJs these days aren’t all static and brain-numbing dubstep. The best of them can still groove.


Arcade Fire- Sprawl II (Mountains Beyond Mountains) (Radio Rip) (download)

The Creators Project San Francisco 3/17/12

Karen O at the Creators Project in San Francisco. (Ryan Mac/treeswingers)

Austin is far away. For most San Franciscans, it’s too far away. But for two weeks in March every year, the hipster holdout in the least fashionable state in the union—go ahead Texas, secede—is Mecca, the intersection of tech and music like no other.

This year, the Bay Area was a bit tired of the stolen spotlight focused on the South. In its first installation in San Francisco, The Creators Project—the visionary arts, music and tech collaboration between VICE and Intel—made us all forget about SXSW and whatever legendary show we were missing in that hidden Austin warehouse.

“We don’t really care about what is going on in other places,” said Johan Jervoe, VP of Intel’s marketing division at the beginning of the day.

Jamming 25,000 ticket holders into the warehouses of the more or less abandoned Fort Mason, it was easy to focus on San Francisco especially with Karen O bellowing in your face or the innovative tech-art mashups begging to be toggled and touched. And the best part? It was free.

Bringing the artists that pulled off some of the greatest live collaborations seen at Coachella last year (remember Arcade Fire?) as well as similar shows from Paris to Beijing, The Creators Project was mind-numbingly beautiful—for the music alone.

Here are some highlights from Saturday’s performances: 

Continue reading

“Sa Sa Samoa” (Elite Gymnastics Remix) Video

Without condoning drug use in any fashion, I present to you the greatest music video of 2012. Scarring my retinas like nothing since Shaq’s Kazaam, the video for a remixed version of Korallreven’s “Sa Sa Samoa” by Elite Gymnastics is indescribable. Perhaps its an advert for ecstasy? Or maybe its the hyped, four-minute version of Gaspar Noé’s Enter The Void on speed. Whatever it is, it’s ridiculously awesome–the audio representation of what it feels like to be in some dirty Japanese warehouse that’s blasting 90′s rave at 4:35 in the morning.

The remix, which mixes in sped up elements of Whitney Houston’s “I Wanna Dance With Somebody” lifts off on a few piano notes before blasting the ears with rapid tempos and heavy synth dissonance, rendering Korallreven’s contributions almost unrecognizable. It’s not for the faint of heart, nor is it one for classification. Elite Gymnastics self-labeled genre for the track? “ヘ(^_^ヘ)(ノ^_^)ノ.”


Korallreven- Sa Sa Samoa (Elite Gymnastics remix) (download)